{"version":"1.0","provider_name":"FONDATION CAB","provider_url":"https:\/\/fondationcab.com\/nl","title":"OPEN STUDIO LOLA DAELS - FONDATION CAB","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"yKApEgZmJ9\"><a href=\"https:\/\/fondationcab.com\/nl\/open-studio-lola-daels\">OPEN STUDIO LOLA DAELS<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/fondationcab.com\/nl\/open-studio-lola-daels\/embed#?secret=yKApEgZmJ9\" width=\"600\" height=\"338\" title=\"&#8220;OPEN STUDIO LOLA DAELS&#8221; &#8212; FONDATION CAB\" data-secret=\"yKApEgZmJ9\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/fondationcab.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/fondationcab.com\/wp-content\/uploads\/2022\/04\/Daels_Lola_01.jpeg","thumbnail_width":1500,"thumbnail_height":1000,"description":"Lola Daels\u00a0(\u00b01990) is a Brussels based artist who mostly creates sculptures and installations.\u00a0Her practice derives from long processes of research and\u00a0experimenting. Wandering and exploring, Lola continuously finds and collects objects and textures, which she reshapes and integrates into new contexts.\u00a0Doing so, she poses analytical and critical inquiries about ecological, environmental and socio-political issues from\u00a0its\u00a0surrounding reality. Currently, she is basing her research on the \u201cRocaille\u201d technique. A method which goes back as far as Greco-Roman antiquity, to recreate natural phenomena. The invention of\u00a0Portland\u00a0cement (1826) meant a major evolution for this technique. This product is easy to supply,\u00a0can be sculpted as it dries and once cured it\u2019s as hard as stone. From then on natural elements were imitated in cement, a product of the industrial revolution, an intriguing paradox. For her residency at Fondation CAB, Lola is\u00a0digging into this paradox. Today, Rocaille is perceived as\u00a0craftsmanship, when in fact it used to be high-tech. By apprenticing with one of the only remaining rocailleurs in Belgium, she\u2019s learning the technique in the studio of Fran\u00e7oise Lombaers in Jodoigne. Besides studying Rocaille, Lola grasps the opportunity to develop other (imitation) techniques such as Scagiola and Granito,\u00a0with the know-how of the craftsman in question.\u00a0All\u00a0these\u00a0techniques are\u00a0linked by the vocation to imitate natural materials. At Fondation CAB, she will focus on developing and designing tableaux\u00a0made according to classic italian techniques\u00a0as\u00a0Scagliola and Granito. Consequently,\u00a0she questions\u00a0the notion of authenticity and its relationship to the\u00a0universalizing\u00a0world.\u00a0By linking this to the impending climate crisis she\u00a0attempts to address the absurdity of the prevailing mechanisms of our society and to explore their impact on the individual."}