The Prix Pictet aims to harness the power of photography – all genres of photography – to draw global attention to issues of sustainability, especially those concerning the environment. Prix Pictet Fire, the ninth cycle of the Prix Pictet, presents work by 13 photographers from Austria, Belgium, Benin, Cambodia, Japan, Lebanon, Mexico, Nigeria, South Africa, Switzerland, USA who have been shortlisted for this year’s prize.
The bodies of work shortlisted for Prix Pictet Fire draw their inspiration from both major global events and personal experiences. The photographic images span documentary, portraiture, landscape, collage and studies of light and process.
The winner of Prix Pictet Fire is the American photographer Sally Mann who was presented with the award in December 2021 at London’s Victoria and Albert Museum for her series Blackwater (2008-2012).
Blackwater (2008-2012) is a multifaceted exploration of the devastating wildfires that enveloped the Great Dismal Swamp in southeastern Virginia, where the first slave ships docked in America. In this work, Mann draws a parallel between the all-consuming wildfires she encountered there with racial conflict in America, explaining “The fires in the Great Dismal Swamp seemed to epitomize the great fire of racial strife in America – the Civil War, emancipation, the Civil Rights Movement, in which my family was involved, the racial unrest of the late 1960s and most recently the summer of 2020. Something about the deeply flawed American character seems to embrace the apocalyptic as solution.”
Prix Pictet Fire features other established photographers including Rinko Kawauchi who photographed firework displays throughout Japan every summer from 1997-2001 and Christian Marclay whose series of photographic prints began as small-scale collages featuring fragments from comic books, movie stills and images found on the internet. They are joined by young and emerging names in photography, including David Uzochukwu, whose portraiture series In The Wake is set within an unknown landscape on fire, and Fabrice Monteiro, whose series The Prophecy addresses worldwide pollution through staged photographs of figures in costumes made of trash and natural materials.
Sharing concern for these urgent issues, and having hosted the Prix Pictet several times in Brussels, Fondation CAB is delighted to present the latest theme at its space in St-Paul-de-Vence.
Prix Pictet Fire features other established photographers including Rinko Kawauchi who photographed firework displays throughout Japan every summer from 1997-2001 and Christian Marclay whose series of photographic prints began as small-scale collages featuring fragments from comic books, movie stills and images found on the internet. They are joined by young and emerging names in photography, including David Uzochukwu, whose portraiture series In The Wake is set within an unknown landscape on fire, and Fabrice Monteiro, whose series The Prophecy addresses worldwide pollution through staged photographs of figures in costumes made of trash and natural materials.
The Prix Pictet was founded by the Pictet Group in 2008. Today, the award is recognised as the world’s leading prize for photography. On an approximately 18-month cycle, each theme aims to promote discussion and debate on critical issues of sustainability. The prize of 100,000 Swiss Francs is awarded for a body of work that speaks most powerfully to the theme of the award.
Each cycle of the Prix Pictet tours globally, with exhibitions in over a dozen locations, bringing the work of the shortlisted photographers to a wide international audience. The Prix Pictet is accompanied by a full-colour book published by teNeues, covering in detail the work of the shortlisted photographers, together with selected images from the wider group of nominees, and essays on the theme of the prize by leading thinkers and writers.
The eight previous Prix Pictet laureates are Benoit Aquin (Water), Nadav Kander (Earth), Mitch Epstein (Growth), Luc Delahaye (Power), Michael Schmidt (Consumption), Valérie Belin (Disorder), Richard Mosse (Space) and Joana Choumali(Hope).
The exhibition will continue to tour globally to top museums in Dubai, Singapore, Hong Kong and New York, among others, until Spring 2023.
